The latest A Sound Effect article features our Warner Bros. PPCS sound talent who worked on the newest Conjuring film. Now in theaters and streaming on HBO Max.
To inspire their take on the 1968 riots around the Democratic National Convention, Tondelli introduced Slater to Haskell Wexler’s 1969 drama Medium Cool.
Our sound talent who worked on Judas and the Black Messiah, Wonder Woman 1984, The Trial of the Chicago 7 and The Midnight Sky on “The Mix Presents”.
Our Oscar-winning Sound Designer Richard King and Emmy-winning Sound Designer Jimmy Boyle talked to Jennifer Walden recently over at ‘A Sound Effect’ about their approach to the signature character sounds and designs behind their latest film Wonder Woman 1984.
In this episode Richard King joins us to talk about the ultra complicated sound for Christopher Nolan’s film, Tenet.
The Right Stuff series from National Geographic on Disney+ — based on the homonymous bestseller by Tom Wolfe — recounts the early days of the U.S. Space Program and examines the lives of America’s first astronauts, the Mercury Seven. Here, Emmy-winning supervising sound editor Walter Newman talks about creating the show’s 1960s era-authentic-and-NASA-approved sound.
Brent Findley was recognized on POST PERSPECTIVE for his work on “Ted Lasso.” Check out the full article here “Crafting Sound Design for Apple TV+’s Ted Lasso,” by Patrick Birk. https://loom.ly/fMwVe8k
We are proud to congratulate our WB Sound talent who won 2020 HPA Awards! Outstanding Sound – Episodic or Non-theatrical Feature “Star Trek: Picard – ET in Arcadia Ego Part 2” Matthew E. Taylor – Supervising Sound Editor Todd Grace – Re-Recording Mixer Ed Carr – Re-Recording Mixer Tim Farrell – Sound Designer Sean Heissinger […]
Kim Waugh our Executive Vice President of Worldwide Post Production Services was featured in Mix Magazine “The Future of Post-Production Sound” article written by Jennifer Walden. Kim shared about Warner Bros. De Lane Lea‘s “Alfred” and Warner Bros Post Production Creative Service‘s Remote ADR System called “ADR…At A Distance.” To read the full article click […]
We are happy to share a feature that was written on The Wrap of Brent Findley and his work on “Ted Lasso.” The article is titled: “Why ‘Ted Lasso’ Sound Editor Learned to Love Actors’ Messy Closets,” and was written by Joe McGovern. Read it here: https://loom.ly/08tACkY Congrats again to Brent Findley on this feature!