Crafting the Perfect Creepy Sound for “The Conjuring: The Devil Made Me Do It”
The latest A Sound Effect article features our Warner Bros. PPCS sound talent who worked on the newest Conjuring film. Now in theaters and streaming on HBO Max.
‘Chicago 7’ Sound Team On Taking An Urgent, Modern Approach For The Period Drama
To inspire their take on the 1968 riots around the Democratic National Convention, Tondelli introduced Slater to Haskell Wexler’s 1969 drama Medium Cool.
Richard King, Jimmy Boyle and Glibert Lake Talk Sound Design for ‘Wonder Woman 1984’
Our Oscar-winning Sound Designer Richard King and Emmy-winning Sound Designer Jimmy Boyle talked to Jennifer Walden recently over at ‘A Sound Effect’ about their approach to the signature character sounds and designs behind their latest film Wonder Woman 1984.
Richard King talks Tenet on Tonebenders
In this episode Richard King joins us to talk about the ultra complicated sound for Christopher Nolan’s film, Tenet.
“Behind The Sound of ‘The Right Stuff’ Series,” by Jennifer Walden
The Right Stuff series from National Geographic on Disney+ — based on the homonymous bestseller by Tom Wolfe — recounts the early days of the U.S. Space Program and examines the lives of America’s first astronauts, the Mercury Seven. Here, Emmy-winning supervising sound editor Walter Newman talks about creating the show’s 1960s era-authentic-and-NASA-approved sound.
WB Sound talent winners – 2020 HPA Awards
We are proud to congratulate our WB Sound talent who won 2020 HPA Awards! Outstanding Sound – Episodic or Non-theatrical Feature “Star Trek: Picard – ET in Arcadia Ego Part 2” Matthew E. Taylor – Supervising Sound Editor Todd Grace – Re-Recording Mixer Ed Carr – Re-Recording Mixer Tim Farrell – Sound Designer Sean Heissinger […]
Why ‘Ted Lasso’ Sound Editor Learned to Love Actors’ Messy Closets
We are happy to share a feature that was written on The Wrap of Brent Findley and his work on “Ted Lasso.” The article is titled: “Why ‘Ted Lasso’ Sound Editor Learned to Love Actors’ Messy Closets,” and was written by Joe McGovern. Read it here: https://loom.ly/08tACkY Congrats again to Brent Findley on this feature!
Supervising Sound Editor on Capturing the Sound of “Ted Lasso” Remotely
Our very own Supervising Sound Editor, Brent Findley was recently featured on The Credits for his work on “Ted Lasso.” You can read the full article “Supervising Sound Editor on Capturing the Sound of Ted Lasso Remotely,” by Mark London Williams here: https://loom.ly/gbZJsGE
‘Ted Lasso’: Apple’s Feel-Good Hit Also Has Some Timely Sports Crowd Noise Lessons
IndieWire released an article on how Brent Findley, Supervising Sound Editor worked his magic on “Ted Lasso” to get the stadium noise come to life on the show! Also featured in this article are Re-Recording Mixers Ryan Kennedy and Sean Byrne. We are so proud of our sound team on their amazing work being featured […]
EMMY WATCH 2020: The Intimate Sound of Star Trek: Picard
Our WB PPCS team was featured in an article at Below The Line titled “EMMY WATCH 2020: The Intimate Sound of Star Trek: Picard,” written by Mun Kang. Be sure to check it out! Link posted below! http://www.btlnews.com/featured/emmys-picard-sound/