Kim Waugh featured in “The Future of Post-Production Sound”
Kim Waugh our Executive Vice President of Worldwide Post Production Services was featured in Mix Magazine “The Future of Post-Production Sound” article written by Jennifer Walden. Kim shared about Warner Bros. De Lane Lea‘s “Alfred” and Warner Bros Post Production Creative Service‘s Remote ADR System called “ADR…At A Distance.” To read the full article click […]
Why ‘Ted Lasso’ Sound Editor Learned to Love Actors’ Messy Closets
We are happy to share a feature that was written on The Wrap of Brent Findley and his work on “Ted Lasso.” The article is titled: “Why ‘Ted Lasso’ Sound Editor Learned to Love Actors’ Messy Closets,” and was written by Joe McGovern. Read it here: https://loom.ly/08tACkY Congrats again to Brent Findley on this feature!
Supervising Sound Editor on Capturing the Sound of “Ted Lasso” Remotely
Our very own Supervising Sound Editor, Brent Findley was recently featured on The Credits for his work on “Ted Lasso.” You can read the full article “Supervising Sound Editor on Capturing the Sound of Ted Lasso Remotely,” by Mark London Williams here: https://loom.ly/gbZJsGE
MPI Restores “The Wizard of Oz” in 4K HDR
Barry Goch reports on this beautiful restoration for Post Perspective. Check it out https://postperspective.com
HPA Award nominations for our Warner Bros Sound talent.
Congratulations to all! Outstanding Sound – Theatrical Feature “IT: Chapter Two” Bill R. Dean, Nancy Nugent, Michael Keller, Tim LeBlanc, Erick Ocampo, Randy Torres // Warner Bros. “Joker” Alan Robert Murray, Dean Zupancic, Tom Ozanich, Jason Ruder, Tod A. Maitland // Warner Bros. Outstanding Sound – Episodic or Non-theatrical Feature “Star Trek: Picard – ET […]
‘Ted Lasso’: Apple’s Feel-Good Hit Also Has Some Timely Sports Crowd Noise Lessons
IndieWire released an article on how Brent Findley, Supervising Sound Editor worked his magic on “Ted Lasso” to get the stadium noise come to life on the show! Also featured in this article are Re-Recording Mixers Ryan Kennedy and Sean Byrne. We are so proud of our sound team on their amazing work being featured […]
EMMY WATCH 2020: The Intimate Sound of Star Trek: Picard
Our WB PPCS team was featured in an article at Below The Line titled “EMMY WATCH 2020: The Intimate Sound of Star Trek: Picard,” written by Mun Kang. Be sure to check it out! Link posted below! http://www.btlnews.com/featured/emmys-picard-sound/
Star Trek: Picard‘s Emmy-nominated sound team
Our WB PPCS team (Todd Grace, Harry Cohen and Tim Farrell) were featured in an article on postPerspective. Be sure to take a look at the article titled “Star Trek: Picard‘s Emmy-nominated sound team,” by Patrick Birk. https://postperspective.com/star-trek-picards-emmy-nominated-sound-team/
We are so proud of our WB Sound Teams for their 2020 Emmy Nominations.
Congratulations!!! Outstanding Sound Editing for a Comedy or Drama Series (One Hour) Star Trek: Picard | Et In Arcadia Ego: Part 2 Matthew E. Taylor, Sound Supervisor Tim Farrell, Sound Designer Harry Cohen, Sound Designer Michael Schapiro, Sound Effects Editor Sean Heissinger, Dialogue Editor Moira Marquis, Music Editor Stan Jones, Music Editor Clay Weber, Foley […]
How Sound Pros on ‘Watchmen,’ ‘Star Trek: Picard’ and More Created “Physical and Psychological” Soundscapes
Another great piece on The Hollywood Reporter about our WB PPCS Sound team who worked on ‘Star Trek: Picard’ (featuring Matthew E. Taylor, Tim Farrell and Todd Grace). Article is titled “How Sound Pros on ‘Watchmen,’ ‘Star Trek: Picard’ and More Created “Physical and Psychological” Soundscapes – written by Carolyn Giardina. Be sure to check […]